Metric Halo provides the world with high-resolution metering, analysis, and processing solutions with award winning software and hardware. As an industry leader, Metric Halo has developed a product line so powerful and versatile, its applications range from live sound reinforcement, CD/DVD mixing and mastering, film and broadcast production to forensic science, airline safety investigation, medical research, and designing the next generation Ferrari and BMW automobiles.
NEW ORLEANS, LOUISIANA: Roland Guerin is an astounding bass player, an emotive singer, and a gifted songwriter based in New Orleans. While Guerin travels in all musical genres, he’s best known in the world of jazz. He cut his teeth playing bass in Alvin Batiste’s band, The Jazztronauts, and later joined the Marcus Roberts Trio, the Allen Toussaint Band, and Dr. John. He has performed with George Benson, John Scofield, Ellis Marsalis, Marcus Roberts; played at the head of the Berlin Philharmonic, the Boston Symphony, the Chicago Symphony; and recorded on the Blind Boys of Alabama’s Grammy-winning Down in New Orleans, among countless other endeavors. All the while, Guerin has been writing his own songs. His latest release is Grass Roots, which leverages his innovative songwriting with elements of folk, blues, zydeco, rock, and – of course – jazz.
“I’ve released seven of my own albums, but I have enough material to release seventeen more!” Guerin said. “I’ve always been an audio snob and I love paying attention to the details of a song or the quality of a sound. Music is an extension of life, and I learned from Allen Toussaint how to think about the craft of a song or the phrasing of a lyric and the impact that would have on the overall effect of a song. After Allen passed in 2015, I joined Dr. John’s band and after a year or so became the musical director for his band. It was the same camp of music, just a different side of the woods. With Dr. John, I started zoning in on ways to produce the music, to get the sounds and the qualities that we were after. For my own songs, I started looking around for the best sound I could achieve at home.”Read More
We continue to hope that this finds you well and as productive as you can be in these trying times.
We are happy to let you know that MH continues to be fully operational; software development, manufacturing, support and shipping are running as usual.
Due to current demand, ULN-8 3d & LIO-8 3d units are currently shipping approximately 3-4 weeks from the date orders are received (subject to change), and 2882 3d units, 3d Card Upgrades and MH EdgeCard orders ship much more quickly.
If you have been waiting on an order, thank you for your patience; we expect to get your order out to you soon!
We are extending the Metric Halo 3d Early Access Sale and the deadline for Early Adopter eligibility until December 31, 2020!*
Upgrade to 3d TodayRead More
SAFETY HARBOR, FLORIDA – APRIL 2020: Regarding his chosen profession, Grammy-nominated mix engineer Jesse Ray Ernster pleads that he really had no choice. “My dad produced and mixed in a studio in our house, so growing up I was surrounded by instruments and exposed to an endless parade of bands. My career choice wasn’t up to me. I caught the recording bug!” Ernster is passionate about good music irrespective of genre, and he spends his days bouncing between projects. A typical day may involve a rock record in the morning, a few hip-hop tracks in the afternoon, and an Afrobeat session in the evening. After years cutting his teeth as a recording engineer, most notably for Kayne West’ Yandhi and Jesus is King albums, Ernster has made the slow pivot to full-time mix engineer. He mixed Burna Boy’s African Giant, which earned a 2019 Grammy nomination for Best World Music Album. After many successful years using Metric Halo’s flagship plug-in ChannelStrip “on just about everything,” Ernster recently met the Metric Halo team at NAMM and expanded his Metric Halo plug-in pallet with the all-inclusive Production Bundle.
“My friend Taylor Larson introduced me to Metric Halo ChannelStrip a few years ago,” Ernster explained. “The underlying algorithms used in ChannelStrip were developed by Metric Halo almost twenty years ago, and they still sound way better than the latest offerings from other pro audio software companies.”Read More
VANCOUVER, BC, CANADA - MARCH 2020: Stephen [Stephen Falk | Tom Lee Music | WatchmanStudios] and I sat down in our mastering suite and did an A/B shootout between the following converters : Symphony I/O vs ULN-8 & Apollo x8p vs ULN-8. The Symphony I/O and ULN-8 are both incredible units in their own category, making the choice between them rather subjective and completely up to taste.
Symphony I/O vs ULN-8Read More
ANAHEIM, CA (USA) – January 19, 2020: Metric Halo 3d technology was named among "The Best Of NAMM 2020 - Day 3" by Production Expert!
Visit Production Expert for the complete article:Read More
BURBANK, CALIFORNIA – NOVEMBER 2019: “Growing up, my family had a rule that everyone had to learn an instrument,” recalled engineer Kyle Mann. “I started on the cello at age five, but I always hated practicing. When I was eleven, I got a boom box that could record, so I recorded myself practicing and then played that back from my room instead of actually practicing. It was the moment that ended my career as a cellist and began my career as a recording engineer!” By all accounts, it appears to have been a smart move because today Mann owns three-room Speakeasy Sound in Burbank, California and navigates a packed schedule of recording, mixing, producing, and songwriting from Studio A and other studios around town. He has a longstanding collaboration with celebrated producer Theron "Neff-U" Feemster and an extensive list of satisfied clients, including Ariana Grande, Camila Cabello, Highly Suspect, and (currently) Leslie Odom Jr. Who knows if Mann would have been so successful as a cellist?
These days, Mann uses Metric Halo’s ChannelStrip 3 plugin on every vocal tracking session and most mixes.Read More
SAFETY HARBOR, FLORIDA – OCTOBER 2019: With deep training in both music and physics, brothers B.J. and Joe Buchalter founded Metric Halo over twenty years ago by creating ingenious solutions to the problems faced by audio engineers in the digital age.
Adherents to the honorable business practice (and now we’ve come to learn environmental practice) of creating and supporting products that last a lifetime, Metric Halo engineers its audio interfaces to accept periodic hardware upgrades to keep current with computer technology and connectivity.
The latest upgrade, “3d,” is a game-changer and has earned Metric Halo its fourth TEC Award nomination, this time for the ULN-8 3d interface.Read More
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THAILAND, SEPTEMBER 2019: Kimleng Audio (Thailand) recently recorded 104 Channels @ 96k with Metric Halo 3d, for the PU Pongsit Black & White Concert:
The signal was split two ways...
ULN-8(3d) = 13 boxes Mac Pro recording to MIO recorder 104 CH at 96K"
2882(3d) MacBook Pro recording to MIO recorder 104 CH at 48K"
All worked well. :-D
Kimleng Audio is Metric Halo's Distributor for Thailand
189/6 Moo12 SoiMitrapab, Bangna-Trad km.6 Rd.
Bangkaew Bangplee, Samutprakarn 10540
66 (0) 2 312 0009
Sound Designer Maurizio Argentieri Used Metric Halo’s Rock-Solid 3d System (with ULN-8 3d and 2882 3d Hardware) to Record and Mix 32 channels on the Set of Hulu’s Catch 22
SARDINIA, ITALY – JULY 2019: When veteran sound designer Maurizio Argentieri was asked to record all the production sound for the modern Hulu miniseries adaptation of the Joseph Heller novel Catch 22, he surmised that it would be a difficult but rewarding assignment.
Catch 22 is the story of a World War II bombardier who is trapped by a twisted bureaucracy, and much of the action takes place on an air force base.
Filmed on the old Olbia Airport (Venafiorita) in Sardinia Italy, Argentieri not only had to capture all of the gritty ambient sounds together with highly-intelligible dialog, but also had to deliver pre-fader tracks and several different immediate mixes for different purposes.
After updating his truly future-proof Metric Halo interfaces (a five-year-old ULN-8 and a fifteen-year-old 2882) to work seamlessly with the very latest in digital connectivity via Metric Halo’s 3d hardware upgrade, Argentieri had sixteen analog inputs, eight digital inputs, and as many zero-latency output tracks and sub-mixes as he needed. Moreover, his Metric Halo interfaces and their MIO Console control software have the kind of rock-solid stability that guaranteed long days of perfectly reliable performance.
“I needed a powerful recording system that would allow me to record a large number of actors and a large number of ambient tracks and that would give me lots of mix-down capabilities on the fly,” Argentieri explained.Read More
SAFETY HARBOR, FLORIDA: “I really like the idea of not throwing gear away!” So says Dan Roe, who, for the past fifteen years, has served as pre-production programmer, playback engineer, and keyboard tech for the massive regional and international tours of Madonna, Peter Gabriel, Depeche Mode, Rhianna, Adele and many more. Roe studied at the London college of music, and his solid work ethic and aptitude earned him an entry-level gig at Peter Gabriel’s Real World Studios. As the studio assistant, Roe was offered the chance to be the drum tech on a Peter Gabriel tour. He jumped at the chance and a steady diet of high-profile work on the aforementioned tours began.
“Around the time that I started doing the live work, I got a Metric Halo 2882 interface to record in-tour pre-production and for tracking in my home studio,” Roe explained. “There is a huge amount of recording to be done when preparing backing tracks on a Madonna tour, the show is built from the ground up, I love the reliability of my Metric Halo 2882; it’s a real workhorse, day in and day out… with a high-end result.”Read More